the Instrument

  The Instrument may be realized either as a concert piece or as a sound installation. The composed part is a pre-recorded soundtrack of several voices reading through the same text, translated to each one’s own native language. This audio

the Instrument

  The Instrument may be realized either as a concert piece or as a sound installation. The composed part is a pre-recorded soundtrack of several voices reading through the same text, translated to each one’s own native language. This audio

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summer 2013

Back from musica.be (Neerpelt, Belgium), where I have worked on the new piece / installation: the Instrument (I will upload the recording soon). Off to Israel to work on a new program with Hatzatz / Sonia Kazovsky (look in agenda for dates).

summer 2013

Back from musica.be (Neerpelt, Belgium), where I have worked on the new piece / installation: the Instrument (I will upload the recording soon). Off to Israel to work on a new program with Hatzatz / Sonia Kazovsky (look in agenda for dates).

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trembling time – recording (spring 2013)

In late May / beginning June I will record an older piece of mine, Trembling Time for piano duo.  The recording, for a revised version of this composition (older version here, recorded in concert) will be made with the kind

trembling time – recording (spring 2013)

In late May / beginning June I will record an older piece of mine, Trembling Time for piano duo.  The recording, for a revised version of this composition (older version here, recorded in concert) will be made with the kind

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hatzatz – video from LOOS concert, March 2012

from the album recording / live video conecrt, which concluded our residency at studio LOOS, the Hague (march 2012). images: Daniel Slabosky The electronics soundtrack / live manipulation (of the narrating voice) was done by Maya Felixbrodt. Tomer Harari plays

hatzatz – video from LOOS concert, March 2012

from the album recording / live video conecrt, which concluded our residency at studio LOOS, the Hague (march 2012). images: Daniel Slabosky The electronics soundtrack / live manipulation (of the narrating voice) was done by Maya Felixbrodt. Tomer Harari plays

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voice / bass duo – new program (February 2013)

  During the beginning of February 2013 we have worked on preparing a new program, featuring newly commissioned pieces/ older repertoire for voice, double bass and electronics in various combinations. This started as an initiative together with the composers and

voice / bass duo – new program (February 2013)

  During the beginning of February 2013 we have worked on preparing a new program, featuring newly commissioned pieces/ older repertoire for voice, double bass and electronics in various combinations. This started as an initiative together with the composers and

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Hatzatz

    On the verge between acoustic and electronic, improvised and composed, Hatzatz (‘gravel’ in Hebrew) is an experimental trio, playing since summer of 2010. The working process is usually a collaborative one, trying to allow the players a significant

Hatzatz

    On the verge between acoustic and electronic, improvised and composed, Hatzatz (‘gravel’ in Hebrew) is an experimental trio, playing since summer of 2010. The working process is usually a collaborative one, trying to allow the players a significant

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[ untitled, 2012 ] for double bass and electronics

The piece was selected for the European Competition for Live Electronic Music Projects 2012. Duration: ca. 15′ Premiere: John Eckhardt, 3 November 2012, De Singel, Antwerp at the ISCM World New Music Days (alongside pieces by M. Donnarumma, J. Velickovic and A. Schubert).   audio excerpt:

[ untitled, 2012 ] for double bass and electronics

The piece was selected for the European Competition for Live Electronic Music Projects 2012. Duration: ca. 15′ Premiere: John Eckhardt, 3 November 2012, De Singel, Antwerp at the ISCM World New Music Days (alongside pieces by M. Donnarumma, J. Velickovic and A. Schubert).   audio excerpt:

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hatztaz – cd release (november 2012)

  During November 2012, Hatztaz released their first CD, which was recorded during a live concert at studio LOOS (in March 2012). The CD is available for download / order: http://hatzatz.bandcamp.com/ Recording & mixing – Arne Bock Mastering – Thilo Schaller

hatztaz – cd release (november 2012)

  During November 2012, Hatztaz released their first CD, which was recorded during a live concert at studio LOOS (in March 2012). The CD is available for download / order: http://hatzatz.bandcamp.com/ Recording & mixing – Arne Bock Mastering – Thilo Schaller

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[ for ensemble, 2011-12 ]

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and electronics (soundtrack / supercollider) Duration: 9′ Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder)

[ for ensemble, 2011-12 ]

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and electronics (soundtrack / supercollider) Duration: 9′ Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder)

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Modo Recordar, Modo Olvidar (2010-11)

for contrabass, viola, live electronics (supercollider / MIDI keyboard) Duration: 15′ Premiere: 20 January 2011, Studio LOOS, the Hague ( Maya Felixbrod, viola; Tomer Harari, electronics; Ilya Ziblat Shay, double bass ) About this piece (suggested program notes): As suggested by the title

Modo Recordar, Modo Olvidar (2010-11)

for contrabass, viola, live electronics (supercollider / MIDI keyboard) Duration: 15′ Premiere: 20 January 2011, Studio LOOS, the Hague ( Maya Felixbrod, viola; Tomer Harari, electronics; Ilya Ziblat Shay, double bass ) About this piece (suggested program notes): As suggested by the title

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