Signature Piece (2008)

for ensemble (trb, a.sax, t.sax, e.guit, pno, perc) Duration: 40 seconds Premiere: 25 May 2008, TAG, the Hague. Ensemble Klang. Further performances: 5 Mar 2011, with video work by Shiri Limor. Korzo theater, The Hague.

Signature Piece (2008)

for ensemble (trb, a.sax, t.sax, e.guit, pno, perc) Duration: 40 seconds Premiere: 25 May 2008, TAG, the Hague. Ensemble Klang. Further performances: 5 Mar 2011, with video work by Shiri Limor. Korzo theater, The Hague.

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INCUEME (2005)

for voice and double bass Duration: 5′ 30″ Premiere: 25 April 2006, Koninklijk Conservatorium, the Hague Marian Angeles Marques Fernandez, voice Ilya ZIblat, double bass Further performances by M. A. Marques Fernandez and Rodrigo Reijers, and by Elisenda Pujals and Ilya Ziblat Shay.

INCUEME (2005)

for voice and double bass Duration: 5′ 30″ Premiere: 25 April 2006, Koninklijk Conservatorium, the Hague Marian Angeles Marques Fernandez, voice Ilya ZIblat, double bass Further performances by M. A. Marques Fernandez and Rodrigo Reijers, and by Elisenda Pujals and Ilya Ziblat Shay.

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the SZ Pulses (2007)

      for ensemble (fl, bsn, pno, guit, vl, db) Duration: 18′ Written for SZ, a group of 6 musicians with whom I was playing on that time. Premiere: 17 December 2007, Korzo Theater, the Hague, SZ ensemble (R. Huber, M.

the SZ Pulses (2007)

      for ensemble (fl, bsn, pno, guit, vl, db) Duration: 18′ Written for SZ, a group of 6 musicians with whom I was playing on that time. Premiere: 17 December 2007, Korzo Theater, the Hague, SZ ensemble (R. Huber, M.

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Stereo Saxophone Song (2009)

for soprano sax, baritone sax, marimba, live electronics Duration: 13′ Performances: 23 April 2010, Koninklijk Conservatory, the Hague 12-May 2010, Koninklijk Conservatory, the Hague Silvan Kaiser, soprano sax / Alexandre, Soussi baritone sax / MeiYi Lee, marimba

Stereo Saxophone Song (2009)

for soprano sax, baritone sax, marimba, live electronics Duration: 13′ Performances: 23 April 2010, Koninklijk Conservatory, the Hague 12-May 2010, Koninklijk Conservatory, the Hague Silvan Kaiser, soprano sax / Alexandre, Soussi baritone sax / MeiYi Lee, marimba

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Seven Different Ways of Getting Lost (2009)

for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db) Duration: 9′ Premiere: 31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.) Seven Different Ways of Getting Lost, a chamber music piece composed for the ASKO ensemble, was an early attempt to

Seven Different Ways of Getting Lost (2009)

for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db) Duration: 9′ Premiere: 31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.) Seven Different Ways of Getting Lost, a chamber music piece composed for the ASKO ensemble, was an early attempt to

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Slowly They Padded Along (Was It Actually Sad?) (2009)

for flute, clarinet, bassoon Duration: 10′ Premiere: 8 November 2009, Het NutsHuis, the Hague Slowly They Padded Along (Was It Actually Sad? is a composition for woodwind trio (flute-clarinet-bassoon), first performed at the NutsHuis, the Hague. The players are walking around

Slowly They Padded Along (Was It Actually Sad?) (2009)

for flute, clarinet, bassoon Duration: 10′ Premiere: 8 November 2009, Het NutsHuis, the Hague Slowly They Padded Along (Was It Actually Sad? is a composition for woodwind trio (flute-clarinet-bassoon), first performed at the NutsHuis, the Hague. The players are walking around

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Trembling Time (2010)

for piano duo Duration: 13′ Premiere: 22 April 2010, Koninklijk Conservatorium, the Hague, Ruud Zielhorst & Emiel Janssen Trembling Time, for two pianos, explores aspects of elasticity in rhythm. Through constant stretching and shrinking of the pulse, I am trying to create

Trembling Time (2010)

for piano duo Duration: 13′ Premiere: 22 April 2010, Koninklijk Conservatorium, the Hague, Ruud Zielhorst & Emiel Janssen Trembling Time, for two pianos, explores aspects of elasticity in rhythm. Through constant stretching and shrinking of the pulse, I am trying to create

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Unmixable Elements (2010)

for cl, trb, e.guit, vl, db, org, electronics (live, playback) Duration: ? (composition / sound installation) Premiere: 27 May 2010, Orgerlpark, Amsterdam, ensemble MAE (with Leine & Roebana dance group). Unmixable Elements is a composition / sound installation, written for the MAE

Unmixable Elements (2010)

for cl, trb, e.guit, vl, db, org, electronics (live, playback) Duration: ? (composition / sound installation) Premiere: 27 May 2010, Orgerlpark, Amsterdam, ensemble MAE (with Leine & Roebana dance group). Unmixable Elements is a composition / sound installation, written for the MAE

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[ untitled, 2011-12 ] for string orchestra

A ‘didactic’ composition, for a youth string orchestra (ages 12-15). I was aiming at introducing both ‘extended’ instrumental techniques and improvisation to the young players. Duration: 6′ Premiere: 3 June 2012, Torredembarra town hall, Catalonia, Spain Corelli Orchestra (Vila-seca conservatory, Catalonya)

[ untitled, 2011-12 ] for string orchestra

A ‘didactic’ composition, for a youth string orchestra (ages 12-15). I was aiming at introducing both ‘extended’ instrumental techniques and improvisation to the young players. Duration: 6′ Premiere: 3 June 2012, Torredembarra town hall, Catalonia, Spain Corelli Orchestra (Vila-seca conservatory, Catalonya)

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voice / bass duo

  Elisenda Pujals Picó (voice) and Ilya Ziblat Shay (bass) collaborate in a duo since 2007, as well as participating in larger ensemble settings (Peter Schat’s To You, Ilya Ziblat’s On Artistic Freedom in the National Era). They are dedicated to

voice / bass duo

  Elisenda Pujals Picó (voice) and Ilya Ziblat Shay (bass) collaborate in a duo since 2007, as well as participating in larger ensemble settings (Peter Schat’s To You, Ilya Ziblat’s On Artistic Freedom in the National Era). They are dedicated to

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